From the Site
Ambar Lucid Welcomes a New Era of Self-Acceptance With "girl ur so pretty"
May 12, 2022
Lucid's latest is "inspired by the color pink, sparkles, and characters like Rue and Jules from Euphoria."
![Suzanne Sheer Is Here For Her Girlies in "Girls on the Internet" [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/suzanne-sheer-girls-on-the-internet_1652389168.png)
Suzanne Sheer Is Here For Her Girlies in "Girls on the Internet" [Q&A]
May 12, 2022
"Girls on the Internet" sees Sheer penning both a love letter and accepting her envy.
aldn Takes a Step Toward Accepting His Grief in 'good grief'
May 12, 2022
<i>good grief</i> is comprised of seven tracks that explore the seven stages of mourning.
Lizzy McAlpine Comes Alive in the Enthralling Melodrama of 'five seconds flat'
May 12, 2022
<i>five seconds flat</i> is a multidisciplinary work of movement and moments.
Nick Vyner's "Flood" Is a Deluge of Catharsis
May 12, 2022
For Vyner, writing about sadness can be atmospheric, momentous and, in a weird way, feel happy.
chase plato Cements Himself as an Artist to Watch With "Stranger Than Fiction"
May 11, 2022
Do not sleep on chase plato.
Kailee Morgue Has No Issue Being a "Loser"
May 11, 2022
Morgue is taking every supposed failure and fear and turning into pop-punk gold.
![CLUB INDGO Introduce Themselves to the World With "Are You In The Room" [Premiere]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/club-indigo-are-you-in-the-room_1652291274.jpeg)
CLUB INDGO Introduce Themselves to the World With "Are You In The Room" [Premiere]
May 11, 2022
There's nothing about this New England-based collective that can be boxed by a label.
Sylo Serves Up a Delectable Double Feature With "Bento Box" and "American Idea"
May 11, 2022
Sylo is laying down the foundational architecture for a significant release.
![Manchester's Secret Night Gang Isn't Here to Make Music For the Money or Views [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/SECRET-NIGHT-GANG-interview_1652201630.jpeg)
Manchester's Secret Night Gang Isn't Here to Make Music For the Money or Views [Q&A]
May 10, 2022
"Nowadays, music gets lost because it isn't written with meaning or acknowledging what's going on now."
Soccer Mommy's 'Sometimes, Forever' Is a Compelling Emotional Rollercoaster
June 27, 2022
Superache is a treasure trove of honesty, vulnerability, and fantastic musicianship.
Sabrina Lee Shows off Her Songwriting Maturity on "Be There"
November 16, 2020
Virginia native Sabrina Lee is at the forefront of contemporary pop.
BK Rockstar Brings High Energy and Intensity on His New Single
December 4, 2020
17-year-old, BK Rockstar is the newest artist out of New York to push boundaries with a new style and new sound.
Mulay Shines in New Visual for "ANTRACYTE"
January 15, 2021
If you haven't yet heard of Mulay, consider this an informal introduction.
KidEyes Throw Their Name into the Mix on "Come Down"
February 3, 2021
Pop-rock duo, KidEyes, may not be a name you were formally introduced to, but allow us to make that introduction.
Sedona's Visual for "Leaving the Chapel" Is a Dreamy 80's-Inspired Ode to Tragic Love
February 3, 2021
After the release of their debut EP Rearview Angel last year, Sedona returns to us this week with a visual for "Leaving the Chapel."
LA Producer GYYPS Returns With Fiery New Single "Careless"
March 8, 2021
LA-based multi-instrumentalist, producer, and visual artist GYYPS returns with his newest single "Careless," releasing alongside its own eclectic visual.
Noah Cunane Adds Another Bop To His Catalog With "Call Him"
July 13, 2020
Every time we write about Noah Cunane, we're always talking about how he released his hottest track to date. Welp... we're here to say it again.
Kipp Stone Impresses Again with "Cheap Sangria"
August 21, 2020
Dropping as a late summer vibe, Stone explores themes of getting out and moving on with his latest "Cheap Sangria."
Moontower's "Hit the Lights" Is an Uplifting Banger
September 2, 2020
Want some good boy band fun and a pop song that'll get you and your friends off your feet? Look no further.