From the Site

Collard Enlists Bakar for the Effortlessly Smooth "Stone"
November 11, 2019
Collard is the latest artist emerge to from this R&B renaissance.
Author:
Bianca Brown
![From Linkin Park to 'the beautiful struggle,' Welcome to the Life of Naaz [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/Naaz-ones-to-watch_1573504853.jpg)
From Linkin Park to 'the beautiful struggle,' Welcome to the Life of Naaz [Q&A]
November 11, 2019
"I've always just made whatever gave me butterflies. That's really all I'm chasing in life, feeling those butterflies..."
Author:
Bianca Brown

Two Feet's "BBY" Is a Heart-Pounding Sonic Journey
November 11, 2019
Two Feet's new single has us ready to tackle whatever comes our way.
Author:
Joey Legittino

Ambré Stands at a Crossroads of Past, Present, and Future R&B in 'Pulp'
November 11, 2019
The Grammy award-winning artist's take on R&B is nothing if not refreshing.
Author:
Bianca Brown

SHY Martin Wears Her Heart on Her Sleeve in "Make Us Never Happen"
November 11, 2019
The budding pop star who has written Kygo, Ellie Goulding, and The Chainsmokers is ready for the spotlight.
Author:
Matthew Rudas

Emotional Oranges' "The Juice, Vol. II" is a Peel-Worthy Continuation of Stylistic Growth
November 8, 2019
Emotional Oranges are back and serving up fresh-squeezed feelings. Listen to "The Juice, Vol. II" now.
Author:
Emily Bird

bbno$, Doja Cat, SHY Martin, and More Artists You Should Listen to Now | #NowWatching Playlist
November 8, 2019
This is what we have been streaming on repeat.
Author:
Maxamillion Polo

Caro's 'songs from 3am' Is a Diverse and Relatable Pop Debut
November 8, 2019
Tackling themes of jealousy, one-sided relationships, and toxic relationships, Caro's debut is heartbreaking and heartwarming.
Author:
Matthew Rudas

Death Stranding Brings Praise, Disappointment, and an Impressive Musical Score
November 8, 2019
Is Death Stranding the best-scored walking simulator of the decade?
Author:
Matthew Rudas

Greyson Chance Tackles Pop's Cowboy Obsession in "Boots"
November 8, 2019
Chance asks himself what would Johnny Cash do?
Author:
Maxamillion Polo

bLAck pARty Delivers a Tantalizing Summer Slowburn With "On My Way"
June 21, 2022
As temperatures rise, bLAck pARty's latest effort is the perfect slow jam to cool you down.
Author:
Jazmin Kylene

Rahli Pays Tribute to His Loved Ones in "Ooh Child"
December 11, 2019
Hip-hop newcomer Rahli is taking on a much smoother and raw persona.
Author:
Precious Kato

Lonely This Valentine's Day? Let 'Top That Track' Keep You Company
February 11, 2020
This week sees our co-hosts battling it out to see who has the best love-themed musical taste.
Author:
Precious Kato

Introducing Ones to Watch Aotearoa
October 8, 2020
There's a wealth of new music talent simmering in Aotearoa. Ones to Watch is here to show it off.

Trey Graves Drops Visual for "X."
January 6, 2021
Singer, rapper, producer, and multi-instrumentalist dynamo Trey Graves has released his latest single "X."
Author:
Malc.

Charles on TV Bends Genres on Jazzy Single "Strongman"
February 2, 2021
New York singer and songwriter Charles on TV returns to us this week with "Strongman," a quirky and eclectic single that sees an unlikely combination of jazz, pop, and funk.
Author:
Carter Fife

Meet the LA Collective That Is Here '2' CMMND Your Attention
April 15, 2021
The beauty of a collective is in creating community, and CMMND is fostering an immersive one.
Author:
Krista Marina Apardian

Aaron Taos' 'Closure & Campari' Is the Break-up Guidebook You Were Looking For
September 17, 2021
'Closure & Campari' is a proudly pop examination of the aftermath of moving on.
Author:
Jolene Latimer

ROZET's "RIGAMAROLE" Provides a Cathartic Ending to 2020
November 25, 2020
ROZET's new release "RIGAMAROLE" echoes sentiments of injustice and mistrust, bringing to sonic life the dystopian experience that is 2020.
Author:
Brooke Schaffer

Jim-E Stack Blends Genres on His Captivating Second LP, 'EPHEMERA'
December 9, 2020
Hailing from California, producer Jim-E Stack is yet another example of an artist pushing the boundary towards genre-less music.
Author:
Jordan Shickman