From the Site
myKeL's Sound Can't Be Pinned Down on "i don't see a thing"
January 29, 2021
Miami-based artist myKeL pulls influences from a variety of places but applies these influences in a way unique to himself.
dev soter Showcases His Beautiful Falsetto on "Brainless"
January 28, 2021
dev soter immediately pulls you in with his powerful falsetto and emotive tone on "Brainless"
Shane Garcia's "Corner Store Runs" Gives Vintage Styles New Context
January 21, 2021
Shane Garcia's latest single "Corner Store Run" is a poetic depiction of her social anxiety and a stunning display of her vocal ability.
![Get to Know Indie Newcomer, KALI [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/KALI copy_1611175364.jpg)
Get to Know Indie Newcomer, KALI [Q&A]
January 20, 2021
Get to know 16-year-old artist KALI and watch the music video for her latest single, "Lucy,"
Valley Boy Sets the Tone for 2021 on "Sad Girl"
January 15, 2021
Valley Boy's illusory songwriting is on full display on their newest single "Sad Girl," their first single of the new year.
Jelani Aryeh Covers The xx in His Nostalgic Reinterpretation of "Angels"
January 15, 2021
Jelani Aryeh is back and building off this momentum by paying homage to Alternative Pop legends The xx.
DWLLRS Premiere New Music Video for "We're All Just Falling And Flying"
January 14, 2021
DWLLRS' recent single "We're All Just Falling And Flying" is one of their best so far and it finally has an accompanying music video.
Mills' "Hollow" is a Brutally Honest Confessional
January 12, 2021
Drawing inspiration from the 70's era of Laurel Canyon, Mills' latest release, "Hollow," is an honest dissection of a toxic relationship.
Ryan Woods' 'how i'm feeling' Is an Ode to the Anxieties of Adulthood
January 11, 2021
In his debut EP, Woods combats his own depression, anxiety, and coming-of-age.
Elko's Debut 'Love Was The Reason' Cannot Be Boxed In
January 11, 2021
'Love Was The Reason' is a dejected and emotive album all centered around Elko's navigation through a difficult relationship.
Ambar Lucid's "Questioning My Mind" Is a Trip We Don't Want to Escape From
November 5, 2019
Lucid explores romance-based psychological warfare in characteristically beautiful and psychedelic fashion.
JAWNY's "Anything You Want" Is Everything We Could Have Wanted and More
February 27, 2020
The genre-bending purveyor has an undeniable gift.
Ginger Root's 'Nisemono' Is a Euphoric Look at Imposter Syndrome and the Quarter-Life Crisis
September 12, 2022
Ginger Root has managed to find merriment within delicate introspection and sobering surrender.
Lizzy McAlpine Comes Alive in the Enthralling Melodrama of 'five seconds flat'
May 12, 2022
<i>five seconds flat</i> is a multidisciplinary work of movement and moments.
Meet Los Bitchos, the Party Band Ready to Set Your Heart Ablaze
October 6, 2021
Los Bitchos' music unfurls to reveal a kaleidoscopic amalgamation of far-off locales, disparate moods, and lush sonic textures.
Claud Recounts Their Unique Tale of Heartbreak in "Wish You Were Gay"
June 14, 2019
Claud (formerly known as Toast) introduces perspectives not commonly portrayed in pop music in "Wish You Were Gay."
Ginger Root's "Loneliness" Is a Timeless Ode to the '80s
June 27, 2022
Set to appear on his forthcoming EP, "Loneliness" has all the hallmarks of an infectious classic.
Gus Dapperton's "Fill Me Up Anthem" Is a Visceral R&B Offering
March 14, 2019
Dapperton is leading up to a debut album the likes of which we have never heard before.
![Hazel English on Cults, Moving to California, and Her Debut Album 'Wake UP!' [Q&A]](https://s3-us-west-2.amazonaws.com/onestowatch-v2/hazel-english-wake-up!-interview_1587742645.jpg)
Hazel English on Cults, Moving to California, and Her Debut Album 'Wake UP!' [Q&A]
April 24, 2020
With biting honesty and clarity, English explores everything from the downfalls of capitalism to the seesaw of power in relationships.
John Vincent III - "Next To You" | Live From the Rooftop
January 3, 2019
The spirited multi-instrumentalist out of Ohio weaves together sonic explorations of folk and pop.