From the Site
Start 2019 Off Right With Mark Diamond's Entrancing "Steady" [PREMIERE]
January 3, 2019
"'Steady,' along with the others, we let come naturally... the overall energy this song brought into the studio was one I can't personally explain."
Author:
Maxamillion Polo
THE Peach Tree Rascals Interview
April 9, 2020
We spent the day painting in the backyard with anti-pop's most promising new collective.
Author:
Maxamillion Polo
rei brown Is a Born Anew in the Stellar ‘Xeno’
July 11, 2022
Xeno feels like the crystallization of a lifetime of artistic intent.
Author:
Maxamillion Polo
The Band CAMINO - "What I Want" (Live) | All Eyes On
November 12, 2019
Let The Band CAMINO prove to you why they're "your mom's favorite band."
Author:
Maxamillion Polo
COIN's "Youuu" Cements Them as New Wave for a New Generation
January 16, 2020
COIN has built their foundation on infectious hooks and understated emotional complexity.
Author:
Maxamillion Polo
Leven Kali Enlists Smino and Topaz Jones to Clear Things Up in "Homegirl"
December 11, 2019
An ode to anyone who has ever been caught sending that "I miss you" text.
Author:
Maxamillion Polo
Emo Never Dies: A Conversation With Emo Nite Founders T.J. Petracca and Morgan Freed [Q&A]
March 3, 2022
"You can't stay in one place your entire life, you gotta grow."
Author:
Maxamillion Polo
Park Hye Jin Creates a World All Her Own on 'Before I Die'
September 13, 2021
In her debut project, Park regularly challenges preconceived notions of what dance music is and ought to be.
Author:
Maxamillion Polo
Boy In Space Is Done With Playing It Safe [Q&A]
February 25, 2020
"I want to stop being safe, because there's an unsafe creative person inside of me that needs to fly a little bit."
Author:
Maxamillion Polo
Lauren Sanderson's "To The People I Hurt" Is a Raw Moment of Introspection
December 17, 2019
The final single from Sanderson's debut album arrives in breathtaking fashion.
Author:
Maxamillion Polo
'Not Waving, But Drowning' Is Irrefutably a Loyle Carner Project
April 23, 2019
Carner bridges the gap of nostalgia-inducing hip-hop and pertinent modern sensibilities in what proves to be an emotionally-laden sophomore effort.
Author:
Maxamillion Polo